Music and Power in the Long Nineteenth Century

James Garratt
Music, Mimetic Manipulation and the Politics of Power in Imperial Germany

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Axel Körner
Music, Power, and Changing Semantics of Time in the Long Nineteenth Century

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Carlotta Sorba
Nobilissime logge per la Real Corte. Usi, pratiche, significati dei palchi reali nei teatri italiani del primo Ottocento

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Mark Everist
Opera in the Bathroom: Power, Personality and opéra de salon During the Second Empire

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Sonja Starkmeth
Topsy-Turvy or Mainstream? Power Structures in Late Victorian Popular Musical Theatre

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Francesco Fontanelli
«Sei er gefehmt, sei er gebannt!» Il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal

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Galliano Ciliberti
La Chapelle Royale durante la “Restaurazione” (1814-1830): cerimoniale e ritualizzazione del quotidiano come instrumentum regni

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Caiti Hauck
Choral Societies and Political Power in the Cities of Bern and Fribourg in the 19th century

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Verena Paul
Playing for Supremacy, or The International Contest of Military Bands in 1867

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Salvatore Morra
The Tunisian Mālūf during French Protectorate: Power and Decolonisation

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Paolo Prato
Exporting Naples: Geopolitics and Transculturality, from Io te vojo bene assaje to Caruso

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Alessandro Avallone – Emanuele Franceschetti
Potere e influenza dell’industria culturale: musica e immagini nella pubblicistica primonovecentesca targata Ricordi

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