CHIGIANA Journal of Musicological Studies Vol. 52 (2022) Music and Power in the Long Nineteenth Century A cura di / edited byFabrizio Della Seta e Massimiliano Locanto INDICE / TABLE OF CONTENTS Fabrizio Della Seta e Massimiliano Locanto Introduzione MUSIC AND THE POLITICS OF POWER James GarrattMusic, Mimetic Manipulation and the Politics of Power in Imperial GermanyAxel KörnerMusic, Power, and Changing Semantics of Time in the Long Nineteenth Century STRUCTURES OF POWER IN MUSIC THEATRE Carlotta SorbaNobilissime logge per la Real Corte. Usi, pratiche, significati dei palchi reali nei teatri italiani del primo OttocentoMark EveristOpera in the Bathroom: Power, Personality and opéra de salon During the Second EmpireSonja JuschkeTopsy-Turvy or Mainstream? Power Structures in Late Victorian Popular Musical Theatre Francesco Fontanelli«Sei er gefehmt, sei er gebannt!» Il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal MUSICAL INSTITUTIONS AND THE POLITICS OF POWER Galliano CilibertiLa Chapelle Royale durante la “Restaurazione” (1814-1830): cerimoniale e ritualizzazione del quotidiano come instrumentum regniCaiti HauckChoral Societies and Political Power in the Cities of Bern and Fribourg in the 19th centuryVerena PaulPlaying for Supremacy, or The International Contest of Military Bands in 1867 MUSIC, COLONIAL POWER, AND INDUSTRY IN A GLOBAL SPACE Salvatore MorraThe Tunisian Mālūf during French Protectorate: Power and DecolonisationPaolo PratoExporting Naples: Geopolitics and Transculturality, from Io te vojo bene assaje to Caruso Alessandro Avallone – Emanuele FranceschettiPotere e influenza dell’industria culturale: musica e immagini nella pubblicistica primonovecentesca targata Ricordi