CHIGIANA

Journal of Musicological Studies

Vol. 52 (2022)

Music and Power in the Long Nineteenth Century

A cura di / edited by
Fabrizio Della Seta e Massimiliano Locanto

INDICE / TABLE OF CONTENTS

Fabrizio Della Seta e Massimiliano Locanto 
Introduzione

MUSIC AND THE POLITICS OF POWER

James Garratt
Music, Mimetic Manipulation and the Politics of Power in Imperial Germany

Axel Körner
Music, Power, and Changing Semantics of Time in the Long Nineteenth Century 

STRUCTURES OF POWER IN MUSIC THEATRE

Carlotta Sorba
Nobilissime logge per la Real Corte. Usi, pratiche, significati dei palchi reali nei teatri italiani del primo Ottocento

Mark Everist
Opera in the Bathroom: Power, Personality and opéra de salon During the Second Empire

Sonja Juschke
Topsy-Turvy or Mainstream? Power Structures in Late Victorian Popular Musical Theatre

Francesco Fontanelli
«Sei er gefehmt, sei er gebannt!» Il destino degli oppressi e dei redenti, da Tannhäuser a Parsifal

MUSICAL INSTITUTIONS AND THE POLITICS OF POWER

Galliano Ciliberti
La Chapelle Royale durante la “Restaurazione” (1814-1830): cerimoniale e ritualizzazione del quotidiano come instrumentum regni

Caiti Hauck
Choral Societies and Political Power in the Cities of Bern and Fribourg in the 19th century

Verena Paul
Playing for Supremacy, or The International Contest of Military Bands in 1867

MUSIC, COLONIAL POWER, AND INDUSTRY IN A GLOBAL SPACE

Salvatore Morra
The Tunisian Mālūf during French Protectorate: Power and Decolonisation

Paolo Prato
Exporting Naples: Geopolitics and Transculturality, from Io te vojo bene assaje to Caruso

Alessandro Avallone – Emanuele Franceschetti
Potere e influenza dell’industria culturale: musica e immagini nella pubblicistica primonovecentesca targata Ricordi